Favorite Drama Movies

Wall Street (1987)

WS Movie Poster

Roger Ebert's Review

How much is enough? The kid keeps asking the millionaire raider and trader. How much money do you want? How much would you be satisfied with? The trader seems to be thinking hard, but the answer is, he just doesn't know. He's not even sure how to think about the question. He spends all day trying to make as much money as he possibly can, and he cheerfully bends and breaks the law to make even more millions, but somehow the concept of "enough" eludes him. Like all gamblers, he is perhaps not even really interested in money, but in the action. Money is just the way to keep score.

The millionaire is a predator, a corporate raider, a Wall Street shark. His name is Gordon Gekko, the name no doubt inspired by the lizard that feeds on insects and sheds its tail when trapped. Played by Michael Douglas in Oliver Stone's "Wall Street," he paces relentlessly behind the desk in his skyscraper office, lighting cigarettes, stabbing them out, checking stock prices on a bank of computers, barking buy and sell orders into a speaker phone. In his personal life he has everything he could possibly want - wife, family, estate, pool, limousine, priceless art objects - and they are all just additional entries on the scoreboard. He likes to win.

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GrossOpeningRelease Date
$43,848,069$4,104,61112/11/1987

JFK (1991)

JFK Movie Poster

Roger Ebert's Review

Oliver's Stone's "JFK" builds up an overwhelming head of urgency that all comes rushing out at the end of the film, in a tumbling, angry, almost piteous monologue - the whole obsessive weight of Jim Garrison's conviction that there was a conspiracy to assassinate John F. Kennedy. With the words come images, faces, names, snatches of dialogue, flashbacks to the evidence, all marshaled to support his conclusion that the murder of JFK was not the work of one man.

Well, do you know anyone who believes Lee Harvey Oswald acted all by himself in killing Kennedy? I don't. I've been reading the books and articles for the last 25 years, and I've not found a single convincing defense of the Warren Commission report, which arrived at that reassuring conclusion. It's impossible to believe the Warren report because the physical evidence makes its key conclusion impossible: One man with one rifle could not physically have caused what happened on Nov. 22, 1963, in Dallas. If one man could not have, then there must have been two. Therefore, there was a conspiracy.

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GrossOpeningRelease Date
$70,405,498$5,223,65812/20/1991

All The President's Men (1976)

ATPM Movie Poster

Roger Ebert's Review

"All the President's Men" is truer to the craft of journalism than to the art of storytelling, and that's its problem. The movie is as accurate about the processes used by investigative reporters as we have any right to expect, and yet process finally overwhelms narrative -- we're adrift in a sea of names, dates, telephone numbers, coincidences, lucky breaks, false leads, dogged footwork, denials, evasions, and sometimes even the truth. Just such thousands of details led up to Watergate and the Nixon resignation, yes, but the movie's more about the details than about their results.

That's not to say the movie isn't good at accomplishing what it sets out to do. It provides the most observant study of working journalists we're ever likely to see in a feature film (Bob Woodward and Carl Bernstein may at last, merciful God, replace Hildy Johnson and Walter Burns as career models). And it succeeds brilliantly in suggesting the mixture of exhilaration, paranoia, self-doubt, and courage that permeated the Washington Post as its two young reporters went after a presidency.

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GrossOpeningRelease Date
$70,600,000N/A4/7/1976